To celebrate its 5th Anniversary: the artist network Verdensrommet invites audiences to a Screening at BO Tuesday 25th of November, 19:00 – 20:30.
The screening will take place at the loft at Anatomigården, Rådhusgata 19. Light serving.
A selection of video works from artists in Verdensrommet’s network exploring mobility, identity, and uprooting will be simultaneously screened in three venues in Oslo, Trondheim and Bergen.
Featuring video works:
HOUSE (excerpt) (2025) – Marin Shamov
Vase Piece (2019) – Yu Shuk Pui Bobby
Conversation with Dago (2024) – Patricia Carolina
Three Views Through the Stereoscope (2025) – Pouria Kazemi
Boundless Game (2015) – Shahrzad Malekian
A Short Film About Stealing (In Norway) (2024) – Pouria Kazemi
Between Waves and Silence, Something Lingers (excerpt) (2025) – Sara Abbasnejad
Their eyes will sear holes in the night sky (2025) – Bianca Hisse and Laura Cemin
Host: Gabrielle Paré
*** “V Festival: We Are Still Here” is a project by Verdensrommet–a support network for non-EU/EEA artists in Norway–in the frame of its 5th anniversary. The festival will take place from November 24-30, 2025. It will feature panel discussions, workshops, a performance night, and other satellite events in partnering venues across Oslo, Bergen, Trondheim, Stavanger and Tromsø. It is intended for art professionals living in Norway, institutions and the general public. Full program at www.verdensrommet.network/wearestillhere
*** This programme is curated by Patricia Carolina, Ghazaal Nasiri, Sara Shooshtari, Mike McCormick, Tara Fraser, Eliot Moleba, Prerna Bishnoi and Itzel Esquivel. In collaboration and with support from OCA, NBK and Trøndelag fylkeskommune.
Graphic design & visual identity by Jacky Jaan-Yuan Kuo.
*** Verdensrommet is a mutual support network for non-EU creative professionals in Norway. It was created in 2020 to address the precarious conditions of visual artists whose citizenship led them to slip through the state’s support net. The low-income levels, highly bureaucratic regimes, unrealistic immigration policies, limited access to social assistance, and the cultural deficit in public life accentuated by the Covid-19 pandemic have worsened the already precarious cultural workers’ economy.